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With the lips moist and very lightly closed, choose an easy middle pitch and hum it on the sound of m (not n), keeping the tone as far forward in the head as possible so that the bones of the face vibrate and the lips tingle slightly. Practice this until it is well mastered.
Then change the pitch occasionally. Try it with three-note or five-note exercises in easy intervals. After several weeks of this, try opening the lips occasionally, after beginning the tone, so that the hum turns into an open tone, but without otherwise changing the placing of the resonance.
Keep the throat relaxed. Some of the worl’ds best singers have claimed that this exercise, with some elaboration, is the only one needed to develop a good vocal tone.
This exercise is given, but it is only intended chiefly to help keep normal voices in condition.
A voice that is in any way defective, either congentially or as the result of strain or disease, is a problem for the specialist, and the student actor is urgently advised not to try corecting it himself or herself.