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With the mouth closed, inhale a comfortably full breath; then exhale and inhale small amounts of air in rapid
succession, very much as a dog pants, but through the nose, not the mouth.
After six or eight cycles release the breath, rest, then repeat. When it gets easier, increase the number of cycles, but do not be in a hurry to do so.
Remind yourself that the muscles that are doing this work are the ones that should bear the strain when you are
speaking in a large theatre.
Keep the throat relaxed.
This exercise is given, but it is only intended chiefly to help keep normal voices in condition.
A voice that is in any way defective, either congentially or as the result of strain or disease, is a problem for the specialist, and the student actor is urgently advised not to try corecting it himself or herself.
